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Opacity and blending modes in Photoshop Elements

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Bamboo layer and Borders layer B. Windows Immediately after you choose a blending mode, you can press the up or down arrows on your keyboard to try other blending mode options in the menu. You can quickly select all the opaque areas in a layer. This procedure is useful when you want to exclude transparent areas from a selection.

The checkerboard grid identifies transparency in a layer. Legal Notices Online Privacy Policy. User Guide Cancel. About opacity and blending options in layers. Specify the opacity of a layer. Select the layer in the Layers panel. In the Layers panel, enter a value between 0 and for Opacity, or click the arrow at the right of the Opacity box and drag the Opacity slider that appears. Specify a blending mode for a layer. You must be in a layer with Lock Transparency deselected to use this mode.

Looks at the color information in each channel and selects the base or blend color—whichever is darker—as the result color. Pixels lighter than the blend color are replaced, and pixels darker than the blend color do not change. Looks at the color information in each channel and multiplies the base color by the blend color. The result color is always a darker color. Multiplying any color with black produces black.

Multiplying any color with white leaves the color unchanged. The effect is similar to drawing on the image with multiple marking pens. Looks at the color information in each channel and darkens the base color to reflect the blend color by increasing the contrast between the two. Blending with white produces no change. Looks at the color information in each channel and darkens the base color to reflect the blend color by decreasing the brightness.

Looks at the color information in each channel and selects the base or blend color—whichever is lighter—as the result color. Pixels darker than the blend color are replaced, and pixels lighter than the blend color do not change. The result color is always a lighter color.

Screening with black leaves the color unchanged. Screening with white produces white. The effect is similar to projecting multiple photographic slides on top of each other. Looks at the color information in each channel and brightens the base color to reflect the blend color by decreasing contrast between the two. Blending with black produces no change.

Linear Dodge Add. Looks at the color information in each channel and brightens the base color to reflect the blend color by increasing the brightness. Multiplies or screens the colors, depending on the base color. Patterns or colors overlay the existing pixels while preserving the highlights and shadows of the base color.

The base color is not replaced, but mixed with the blend color to reflect the lightness or darkness of the original color.

Darkens or lightens the colors, depending on the blend color. The effect is similar to shining a diffused spotlight on the image.

Painting with pure black or white produces a distinctly darker or lighter area, but does not result in pure black or white. Multiplies or screens the colors, depending on the blend color. The effect is similar to shining a harsh spotlight on the image.

This is useful for adding highlights to an image. This is useful for adding shadows to an image. Painting with pure black or white results in pure black or white.

Burns or dodges the colors by increasing or decreasing the contrast, depending on the blend color. Linear Light. Burns or dodges the colors by decreasing or increasing the brightness, depending on the blend color. Replaces the colors, depending on the blend color.

This is useful for adding special effects to an image. Adds the red, green and blue channel values of the blend color to the RGB values of the base color. If the resulting sum for a channel is or greater, it receives a value of ; if less than , a value of 0. Therefore, all blended pixels have red, green, and blue channel values of either 0 or This changes all pixels to primary additive colors red, green, or blue , white, or black.

For CMYK images, Hard Mix changes all pixels to the primary subtractive colors cyan, yellow, or magenta , white, or black. The maximum color value is Looks at the color information in each channel and subtracts either the blend color from the base color or the base color from the blend color, depending on which has the greater brightness value.

Blending with white inverts the base color values; blending with black produces no change. Creates an effect similar to but lower in contrast than the Difference mode. Blending with white inverts the base color values.

 
 

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Legal Notices Online Privacy Policy. User Guide Cancel. About opacity and blending options in layers. Specify the opacity of a layer. Select the layer in the Layers panel. In the Layers panel, enter a value between 0 and for Opacity, or click the arrow at the right of the Opacity box and drag the Opacity slider that appears. Specify a blending mode for a layer.

Select a layer that you have added, in the Layers panel. Choose an option from the Blending Mode menu. Select all opaque areas in a layer. Customize the transparency grid. Choose a pattern size from the Grid Size menu. Multiplies or screens the colors, depending on the base color. Patterns or colors overlay the existing pixels while preserving the highlights and shadows of the base color. The base color is not replaced, but mixed with the blend color to reflect the lightness or darkness of the original color.

Darkens or lightens the colors, depending on the blend color. The effect is similar to shining a diffused spotlight on the image. Painting with pure black or white produces a distinctly darker or lighter area, but does not result in pure black or white. Multiplies or screens the colors, depending on the blend color. The effect is similar to shining a harsh spotlight on the image. This is useful for adding highlights to an image.

This is useful for adding shadows to an image. Painting with pure black or white results in pure black or white. Burns or dodges the colors by increasing or decreasing the contrast, depending on the blend color.

Linear Light. Burns or dodges the colors by decreasing or increasing the brightness, depending on the blend color. Replaces the colors, depending on the blend color. This is useful for adding special effects to an image. Adds the red, green and blue channel values of the blend color to the RGB values of the base color. If the resulting sum for a channel is or greater, it receives a value of ; if less than , a value of 0. Therefore, all blended pixels have red, green, and blue channel values of either 0 or This changes all pixels to primary additive colors red, green, or blue , white, or black.

For CMYK images, Hard Mix changes all pixels to the primary subtractive colors cyan, yellow, or magenta , white, or black. The maximum color value is Looks at the color information in each channel and subtracts either the blend color from the base color or the base color from the blend color, depending on which has the greater brightness value. Blending with white inverts the base color values; blending with black produces no change.

Creates an effect similar to but lower in contrast than the Difference mode. Blending with white inverts the base color values. Looks at the color information in each channel and subtracts the blend color from the base color.

In 8- and bit images, any resulting negative values are clipped to zero. Creates a result color with the luminance and saturation of the base color and the hue of the blend color. Creates a result color with the luminance and hue of the base color and the saturation of the blend color.

Painting with this mode in an area with no 0 saturation gray causes no change. Creates a result color with the luminance of the base color and the hue and saturation of the blend color. This preserves the gray levels in the image and is useful for coloring monochrome images and for tinting color images.

Creates a result color with the hue and saturation of the base color and the luminance of the blend color. This mode creates the inverse effect of Color mode.

Lighter Color. Compares the total of all channel values for the blend and base color and displays the higher value color. Lighter Color does not produce a third color, which can result from the Lighten blend, because it chooses the highest channel values from both the base and blend color to create the result color.

Darker Color. Compares the total of all channel values for the blend and base color and displays the lower value color. Darker Color does not produce a third color, which can result from the Darken blend, because it chooses the lowest channel values from both the base and the blend color to create the result color.

Original image. Color Burn. Linear Burn. Color Dodge. Soft Light. Hard Light.

 

Adobe photoshop elements 10 blending options free.Latest Photoshop tutorials

 

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– Adobe photoshop elements 10 blending options free

 
 
During this Photoshop Elements 15 tutorial video, we will take a look at the use of blending modes. We will show you the effects of blending to. With Photoshop Elements, you can go beyond the automatic fixes that the program provides and use layers and blending modes to correct your images. Photoshop displays a live preview of blend modes on the canvas. Only the Normal, Dissolve, Darken, Multiply, Lighten, Linear Dodge (Add).

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